ALBUM REVIEW: Simple Minds '“ Simple Minds Acoustic

You'd expect a band who've been around nearly 40 years to come up with a more imaginative title for their 17th album, but you can't deny it does exactly what it says in the tin.
Simple Minds - Simple Minds Acoustic (Caroline International).Simple Minds - Simple Minds Acoustic (Caroline International).
Simple Minds - Simple Minds Acoustic (Caroline International).

It's a one-off collection of 're-imagined' songs spanning their entire career, but concentrating on the years when they morphed from electro pioneers to stadium rockers.

The idea stems from a 2014 live session they recorded for a radio show, and an acoustic set played at an unplugged festival.

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If you'd ever wondered what they'd sound like stripped of the synths which are so much a part of their 'big music' sound, here's your answer.

They go all the way back to Chelsea Girl from their 1979 debut Life In A Day, and 1981's The American.

There are four tracks from 1982's breakthrough New Gold Dream album, and some of them work better than others as acoustic arrangements.

For Promised You A Miracle they're joined by fellow Scot KT Tunstall, whose distinctive raspy vocals make it just as beguiling as it was back then, and twice as funky.

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Glittering Prize, featuring regular backing vocalist Sarah Brown, is another highlight, while Someone Somewhere In Summertime, Don't You (Forget About Me) and Waterfront are also enjoyable in a stripped-down form.

Even Alive And Kicking and Sanctify Yourself from 1985's Once Upon A Time, which saw them derided by many lovers of their earlier work, sound good minus the bombast.

The collection is rounded off by a passable cover of Richard Hawley's Long Black Train, though Jim Kerr's voice can't compare to the original singer's rich baritone.

It's a bit hit and miss, and probably for long-standing fans and completists only, but is nevertheless an interesting addition to their canon of work. 6/10

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