Leading North East artist's Sunderland exhibition
and on Freeview 262 or Freely 565


One of the region’s most celebrated and accomplished painters has her largest solo show to date at the Northern Gallery for Contemporary Art (NGCA) next month.
Laura Lancaster’s My Echo, My Shadow exhibition is at NGCA’s Main Gallery in the National Glass Centre from March 16 to June 30, presenting new work made over the last few years.
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Hide AdLaura, who was born in Hartlepool, finds inspiration from photographs, slides and cine films of strangers, bought from online auction sites, flea markets and junk shops.


Laura’s painting process starts with drawing. The drawings aim not to copy the photos, but to capture the feeling that she gets when looking at them. From each drawing she makes a painting, then from that painting, another painting and so on.
Laura’s free My Echo, My Shadow exhibition includes a selection of these drawings, placing her paintings in context and illuminating the full breath of her current practice.
Laura graduated with a degree in fine art from Northumbria University and has exhibited work across the UK and around the world, including shows in South Korea and the USA.
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Hide AdJon Weston, curator of NGCA, said: “Challenging the formal language of painting and photography, Laura probes the reliability of the photograph as a record or snapshot replacing representation with nostalgia, the familiar with the dreamlike, and lived experience with collective consciousness.
"We are delighted to host the largest show of Laura’s incredible paintings and drawings to date.
"Over recent years Laura has been pushing the boundaries of her practice and producing work which delves into the history of painting readdressing the position of the female figure.
“Confronting a gendered history of painting, Laura draws upon numerous styles and genres as well as touching on the history of painting as a medium.
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Hide Ad"She paints women in classical poses: in front of mirrors, in lush green landscapes or in moments of rest. However, they avoid a simple passive reading, instead they allude to confinement, vulnerability and control.


“This marks the perfect time to focus on Laura’s recent work. We look forward to welcoming visitors from across Laura’s home region of the North East and further afield, internationally, to experience her work.”
For more information, visit the NGCA website.
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